Born on the January 24 1921, Sybil Connolly was an innovator, an influencer, an entrepreneur in the world of fashion and design and in this centenary year of her birth the Hunt Museum will release a series of Instagram stories looking at her techniques, colours, patterns, entrepreneurism and influencer skills. We will add to the sum of knowledge about her via our wiki-commons contributions, hold kids clubs to make her wallpapers and textiles, and have some open conservation sessions 2 on some of design pieces we hold in our Sybil Connolly Collection, the largest in the world, bequeathed to us by her nephew, John Connolly.
She was a woman ahead of her time and, while not forgotten, she is maybe not recognised for all that she brought to the world from the 1950’s to the 1980’s. When her fashions became outmoded by the shortening of skirts she changed track becoming a designer of glass and ceramics, wall papers and textiles.
She gave new life to traditional Irish fabrics using the red flannel of Connemara petticoats to form a billowing peasant skirt. She is credited with the reimagination of Donegal Tweed
Perhaps her most distinctive contribution to fashion was pleated handkerchief linen – as worn by Jackie Kennedy in the official White House portrait – it took up to nine yards of Irish linen handkerchiefs to create one yard of the uncrushable pleated fabric that she pioneered.
Issy Miyake 50 years later uses the technique in his Pleats Please Collection. A 1950’s influencer she also dressed Elisabeth Taylor and Julie Andrews and exported to the US from Ireland, eventually supplying Tiffany’s with her ceramics and glass. By the late 1950’s she was employing over 100 women, many working from their homes across Ireland, making tweeds and lace.
Alisson Rocha, Marketing Manager at the Hunt Museum says: “ we want to create a following for Sybil, her designs, techniques and innovations on Instagram, inspiring others with herstory, a woman innovator in 1950’s Ireland, where, in many ways fashion was just her medium.”
Each month a new story will be released focusing on her innovative techniques, her entrepreneurial drive, her influencing skills and of course her very distinctive dresses still worn by the likes of Gillian Anderson in the 2012 BAFTA’s and Anna Clarke wore ‘First Love’ her grandmother’s dress for her wedding in Dublin in 2013. Her grandfather Jack Clarke ran Richard Allens’ where Sybil Connolly worked in the 1950s. We start on the anniversary of her birthday with Sybil the Innovator in Fashion of the 1950’s.
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